Goldsmiths

• A photographic memory | Katie Ackroyd

• Little bit of everything | Fatima Alalaiwat

• Sonic sketch | Mor Bakal

• Daydreams | Alice Bluer

• The shape of wind | Jeremy Brown

• Robots against routine | Natalia Buckley

• Insecurities | Anisha Chandarana

• How good are you now? | Jordon Cheung

• Dirty money | Silvia Alba

• Proximity produce | Michael Cox

• Ownership of the Face | Kristina Cranfield

• Mystery light and shadow | Meng Xue Cui

• The spectator enhancement | Dominic Dorin

• Transforming the threshold | Alexandra Ferretto

• The gay agenda | Jonathan Evans

• Better read | Sarah Ferguson

• Reclaiming culture | Henry Flitton

• Precious waste | Lauren Goodenough

• Ditto | Matt House

• Mining for emotion | Christopher Ibbit

• Phantom | Daiki Ichikawa

• Emergence of subcultures | Elizabeth James

• Ink stained verses | Rosann Ling

• The glorification of the mundane | Ka Loi

• GeoBiography | Harriet McDougall

• Post-death (a survival process) | Nicole Micha

• Give Data | Daniel Morgan

• The cinematic suite | Rhian Owens

• Protein politics | Dipa Patel

• Number 4 | Bella Ka Po Fung

• Draw-it-yourself | Jigna Patel

• Posing power | Thomas-Edward Petherick

• Truth and beauty | Hannah Pindell

• The amateur plan | Esmeralda Power

• Conspicuous production | Ben Redford

• Pushing the envelope | Sophie Scott

• Labels | Isma Shanaaz

• -Ve space | Alice Jane Smith

• Integrate to aberrate | Marianne Standfield

• The idea of nature | Sophie Start

• Figure of speak | Zahra Shahabi Sirjani

• Networked | Christopher Thomas

• What are you looking at? | Hannah Thompson

• Performance of the protest | Matt Tomlin

• Virtually real | Sophia Moseley

• "They make it look so easy" | Martin Turner

• Prison fiction | Nicolette Waller

• Zzz | Evana Wong

• Edible package | Talieh Zarehzadeh

• But the very hairs of your head are numbered, #Machine 24 | Benjamin Weetman